Alberto Ginastera. Cinco canciones populares argentinas (5 Popular Argentinian Songs), for voice and piano, Op. Composition Information ↓; Description. Ginastera, Alberto. Cinco canciones populares argentinas. Five Argentine Folk Songs op. 10 (). Voice and piano. Duration: 9′. Territory. This work is. Cinco canciones populares argentinas. Word count: Song Cycle by Alberto Ginastera ( – ). Show the texts alone (bare mode).
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Songs of the Americas. Art songs of Latin America. Submitted by Ted Perry Gentle Reminder.
Cinco canciones populares argentinas (5 Popular Argentinian Songs), for voice and piano, Op. 10
The Latin American chacona had both instrumental and vocal accompaniment. Tanto quiero a las chicas, Argentinss, como a las grandes. Consequently, if “Triste” is to be performed in transpositionthe performers must consider the specific sonority of the E-A-D-G-B-E chord and whether it too should be transposed or left as written.
Both the vocal melody and the accompaniment are in C majorbut Ginastera “adds dissonance and dislocates tones horizontally to lend a polytonal aura to the background, [and] in the instrumental interludes between vocal stanzas, there is a frank espousal of bitonalitysimilar to sections of the earlier Danzas Argentinas ” Wallace, Submitted by Ted Perry 4.
The penultimate song portrays a mother singing a lullaby to her child. In these songs, Ginastera creates a variety and breadth of emotion only hinted at a few years earlier in the Three Songs, Op. The second song, whose title translates simply as “sad,” is a plaintively melancholy look at unrequited love. Songs from Latin America. It is illegal to copy and distribute our copyright-protected material without permission. It is a rapid dance in triple meter for one or two couples, which begins with the beating of the feet on the ground while the guitarist strums the introductory bars.
In “Triste,” Ginastera ginastwra to these characteristics a sense of improvisational abandon, accentuating the hopelessness in this traditional text. The form is based on the choreography of the six-part dance for one or two split couples: Musical influences and style [ edit ] In these songs, Argentins draws from the Argentine cancionero popularwhich catalogues the traditional songs and dances of each province and is used, in turn, to teach these to school children.
Chacarera The chacarera from chacra”farm” is deeply rooted in the central pampas and the northern Srgentinas interior, with popular variations in Uruguay and Bolivia.
Submitted by Ted Perry 3. This Heart that Flutters. Though a similar harmonic resonance is achieved by playing nearly any series of four perfect fourths and a major thirdthe ubiquitous chord is most frequently spelled as above in Ginastera’s compositions, regardless of the tonal center or lack thereof of the piece in which the chord appears. Some composers used the same melody throughout cnaciones piece, repeating it in the manner of a ground bass.
The marriage will be pug-nosed, as will the results be. The refrain was constructed upon one of a series of typical harmonic schemes e.
Chacarera [ sung text checked 1 time ] Language: Our research has never had any ginatera or institutional funding, so if you found the information here useful, please consider making a donation. Sexy Trippy All Moods. Don Rodrigo Bomarzo Beatrix Cenci Your gift is greatly appreciated. A Reflection of the Composer and his Country” D. As with “Chacarera,” the words of “Gato,” though not entirely nonsensical, are more significant for their rhythm than for their meaning.
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For more information, contact us at the following address: The final song boisterously employs native rhythms, compounding their energy with raucous, jarring outbursts of ginastfra dissonance. Triste While “triste” translated literally means “sad” or “sorrowful,” the title of this song is not an adjective but rather, like the rest of the opus 10 songs, an indication of the song or dance type: Share on facebook twitter tumblr. Jazz Latin New Age. There may be a argehtinas between the chacarera and the chaconnewhich is described in The New Oxford Companion to Music as follows: